Choosing an Acting Program with your Teen – The Developing Brain and Stage

Acting in the teen years can be an incredible experience. Otherwise, I never would have created the LATTE Theater Company or the Empathy Movement Method to help young actresses and actors thrive. So let’s take a beat and talk about why teens need additional safety around their stage experience and character creation.

Teens are exploring and defining who they are. Trying to do this hard enough in this age of tech and social media. When you are on stage you are creating a character that has its own separate emotional responses, physicality and personality.  That is complex to any age, let alone when the brain has not hardwired (till the mid to late twenties).To make things all the more challenging, often acting schools teach method acting or fail to teach the teen to approach character development as a healthy exercise with aesthetic distance.

Look at the cautionary tale of Heath Ledger and how he lost himself in the character. Look at actors and actresses who fall in love – with each other’s characters, unaware in that moment that they aren’t falling in love with each other. If adults easily have fallen into these pitfalls, don’t we owe it to teens to give them a safe and nourishing framework to thrive on stage – and off?

Thoughts to percolate:

As you choose a program that will in influence your teen, ask how they help the teen grow on stage and off. How do they protect the psyche of the teen as they bring a show to the spotlights?

~ Felicia Pfluger, Pfluger Empathy Movement Method, (c) 2023

The Java Jive: Depicting Trauma on Stage

It happens. You get an incredible role – with trauma in it. Thankfully, you haven’t experienced anything like this in real life. You haven’t lost a loved one. Or been trapped in a garret to avoid persecution. Or been burnt at a stake. Or walked down the street and be assaulted – or accused of something you never would do. So how do you deliver a real and authentic performance when you have no such life experience to draw from?

We’ve all seen it happen. A normally talented performer becomes wooden and emotionally-affective during a fight scene, retreats during aggressive stage conflict, or worse – “fights the part”. How do we transcend this “fight or flight” instinct? How do we keep it real and authentic on stage?

It answer is simple. What parallels have you experienced that you can draw from? Maybe, thankfully, you have never lost a spouse, parent, or sibling, but, you might have helped a friend through the pain – or know the pain of losing your pet. Think on how you would, with kindness and empathy, help them. Then, use that as your starting point.

The stages of grief are universal. The rules would definitely apply to this pandemic. As humans, we deny. We bargain. We are shell-shocked. We grieve. We become depressed and angry. And finally, we find some acceptance. Lather. Rinse. Repeat. Because the stages of grief can come and go as we process these painful losses. The loss of a job and our identity. The loss of our childhood home. The loss of a child. The loss of what we thought was permanent and safe and protected.

That is what we take to the stage. That is what we give to the audience. The honesty of the emotion. The bravery of showing it through our actions. And portray hope for the future

Challenges to Percolate:

Be super brave for five minutes today.

  • Think about something you mourn. Remember “the emotions in the room” at that time. Think what got you through it, that you could bring to a role in healing.
  • “Text” a letter to a character you struggled with, showing your support for them, and then read it as that character would. Allow this to be a “moving action” to heal.

~ Felicia Pfluger

© The Pfluger Empathy Movement Method