Developing Charisma on Stage – Acting with Intent

You finally get to a Broadway show… and there is one actor who the audience loves and reacts to… the second they come on stage; you get excited. And you just “know” that in every role they have ever played, they have this special something that flows out of them. Charisma. Charisma is… well…. Magic on stage. Charisma is hard to define. Is it stage presence? Power? Warmth? Your passion and energy on stage? So, how do you develop it? This “je ne sais quoi”… this elusive pleasing quality?

On stage, you send subtle signals on stage that you are inviting the audience into your world. Your use of space, animation, energy, pushing or pulling a  line for just. A second. Longer Showing your thought process on the stage makes all the difference. Your animation and authentic energy speak volumes.

I was taught that “the eyes are windows to the soul”. And any opera singer or ballet dancer will share with you the importance of using warmth and thought, through the medium of the eyes, to form a bond with the audience while not breaking the wall. While not breaking character. Being present in your moment in the character arc.

Regarding stage charisma, it is so important about bringing out the push and pull of the scene. The interrelationships, conflicts, and alliances with your fellow cast members. The more you become an active scene partner and value the action and reaction of your cast, the more charisma you have radiating from you on stage.

Challenges to Percolate:

Think back to your best past scene partners. What aspects of charisma did they bring to the stage. What did they do to heighten the scene quality?

The Java Jive: Depicting Trauma on Stage

It happens. You get an incredible role – with trauma in it. Thankfully, you haven’t experienced anything like this in real life. You haven’t lost a loved one. Or been trapped in a garret to avoid persecution. Or been burnt at a stake. Or walked down the street and be assaulted – or accused of something you never would do. So how do you deliver a real and authentic performance when you have no such life experience to draw from?

We’ve all seen it happen. A normally talented performer becomes wooden and emotionally-affective during a fight scene, retreats during aggressive stage conflict, or worse – “fights the part”. How do we transcend this “fight or flight” instinct? How do we keep it real and authentic on stage?

It answer is simple. What parallels have you experienced that you can draw from? Maybe, thankfully, you have never lost a spouse, parent, or sibling, but, you might have helped a friend through the pain – or know the pain of losing your pet. Think on how you would, with kindness and empathy, help them. Then, use that as your starting point.

The stages of grief are universal. The rules would definitely apply to this pandemic. As humans, we deny. We bargain. We are shell-shocked. We grieve. We become depressed and angry. And finally, we find some acceptance. Lather. Rinse. Repeat. Because the stages of grief can come and go as we process these painful losses. The loss of a job and our identity. The loss of our childhood home. The loss of a child. The loss of what we thought was permanent and safe and protected.

That is what we take to the stage. That is what we give to the audience. The honesty of the emotion. The bravery of showing it through our actions. And portray hope for the future

Challenges to Percolate:

Be super brave for five minutes today.

  • Think about something you mourn. Remember “the emotions in the room” at that time. Think what got you through it, that you could bring to a role in healing.
  • “Text” a letter to a character you struggled with, showing your support for them, and then read it as that character would. Allow this to be a “moving action” to heal.

~ Felicia Pfluger

© The Pfluger Empathy Movement Method

The Java Jive: Fatal Flaws and Fantastic Strengths.

As you develop your character, think of them in terms of their strengths and weaknesses. What fatal flaws will they conquer? Which of their strengths will help them triumph? What other characters of the stage have complimentary faults that together, could be their undoing? Which combined strengths could be used to help them triumph over adversity? Tag team with your fellow ensemble to create this. Are the tensions internal or external? How can they be heightened? When the audience is sitting in the darkness, what “magic” you created will make them lean forward in their seats?

Create an emotional scavenger hunt for the audience. Before the “moving action” of the play takes place, ask where can you embed foreshadowing. Where might you build tension early on to give the audience inklings of what might happen? Remember, it is only through your action, and little “tells” that anything can be visualized. Your breathing. Your eye contact – or lack of. Your posture changes. Yes. these gifts to the audience allow you to create the backstory to bring forth the tension and build the dynamics of your role, so that the play is going someplace. 

Challenge to Percolate:

  • Pick up a script and take some time to “play”. Choose two areas to build tension as “the stage is being set” in the first scenes.
  • Think about your favorite movie characters. Write down bits about her that make her/him character authentic – that make you “root” for them well before the crisis.
  • Choose a character in a show you hope to act some day. Create a few journal entries, in their voice, over a week. These can even be from a decade before or after the story we know takes place. There are no limits. Just have fun! Play!
  • Look at the relationships between family members in the show. What habits stretch generations? Which are a character developing their autonomy or rebelling?

~ Felicia Pfluger

© The Pfluger Empathy Movement Method

THE JAVA JIVE: So, how do you “DO” acting?

Acting Means Learning how to be Aware and Stay Activated! 

You know that there’s MORE to you than scrolling through Instagram! So don’t cheat yourself by taking your foot off the gas! The secret is to “Push Yourself, but Not Push Yourself Over”! There is always room to grow, on stage – and off. The secret is that ACTING is that it is a VERB! Something that you AUTHENTICALLY and ACTIVELY “DO”!

Rule One – Progress, not Perfection!

To TRULY ACT, we MUST TRULY “BE” present on stage, and present in life… And that takes STAMINA!  And you need to exercise your stamina like you would exercise your muscles… or your brain. First! Give yourself permission to not “be perfect”. Acknowledge that this is a process.

Why don’t you start by setting a timer for five minutes? In short, BE PRESENT while “people watching”, listening to a conversation in the room, or watching a show – and REACT authentically to the stimuli.  If you are feeling super brave, read and “perform” for yourself in the mirror. Make friends with your facial expressions, your breathing, and your emotions. Because what an audience WANTS to see is how an ACTOR/ACTRESS responds and reacts with realness. Give them, and you, that gift! Let them see that light bulb moment! Remember, on stage to “Take chances, make mistakes, get messy”. Genius comes through trial and error!

Challenge to “Percolate”:   Show your virtual “audience”/family/friends five different reactions and responses that are unique and let them guess your thoughts and reactions. Go for a BIG reaction. To quote the Frizz, “Take chances. Make mistakes. Get messy”… and prepare to be AWESOME!

© The Pfluger Empathy Movement Method